exhibition info:

展覽資訊

展覽名稱｜海安街道美術館 海安家＋9

主辦單位｜臺南市政府

地點｜臺南市海安路

時間｜2015.02.14 - 2015.03.15

海安亮起來 Lighting up Haian

創作者｜林建榮

Creator｜Lin Chian-jung

熙來攘往的海安路上，人車總是擁擠匆忙，藝術家試圖為海安路打開一片開闊的藍天；燈泡人坐在雲端凝視過往人們，是否願意一起放慢腳步、過浮雲般的生活？夜間的光影讓靜態雕塑有了呼吸，造型可愛卻似乎有著獨特想法的燈泡人，如吐著緩慢氣息般地明滅，彷彿正自顧自的沉思，又像是與觀賞者對話， 或者，那其實是觀賞者自己心底深處閃爍著微弱聲音的小小亮光？

On Haian Road, the traffic is always heavy. The artist attempts to bring the open blue sky to the street. The bulbman is sitting on the top of clouds and looking down people passing by. He wonders whether any one would like to slow down and enjoy a more relaxing life. Light at night time gives life to the still sculpture, the cute bulbman with his inquiry. The flickering light represents the breathing and thinking of bulbman as well as the dialogue with viewers or even maybe the thoughts of viewers from the bottom of their heart? 

來坐 Have a Seat

創作者｜梁弘

協同製作｜賴彥睿

Creator｜Liang Hong

Co-operator｜Lai Yan-Rui

乍看之下，還以為民國七O年代的木造老屋重現海安路，走近才知是半立體雕塑作品。專攻木質古物修復的藝術家梁弘，依照早年工法與結構，精緻呈現了屋頂的收邊、閣樓的百頁氣窗、木質門窗，連牆面雨淋板後方固定結構用的壓條也如實製作。傳遞的不僅是藝術家小時候在窗框間躲迷藏的記憶，與三十年前初來定居時對台南的印象，觀賞者坐在「木屋」前平台上，更可感受悠閒而充滿人情味的時光。

At a glance, one may mistake this artwork with the old wooden house on Haian Rd. in the 1980s. Yet, it is a semi-fold form of carving artwork. The artist, Liang Hong, who specializes in the restoration and repair of wooden antiques, used buildings and structures from past to present including roof edge finishings, window blinds in the attic, wooden doors and windows, and even window moldings to fix the rain wall plate structure. The artist not only wishes to convey the childhood memory of playing hide and seek but the impression that he had about the Tainan of 30 years ago. Sitting on the front balcony of this “wooden house,” viewers are able to experience a relaxing but comfortable atmosphere.

牆的記性 The memories of wall

創作者｜劉國滄&打開聯合工作室

Creator｜Liu Guo-change OU Studio

建築師劉國滄（打開聯合工作室），以一點透視的建築觀念，將老牆漆成藍色並以工程藍圖的形式試圖勾繪出在畸零地前的空間記憶，若空間有生命，老牆將仍然保留著遺失的記憶。

「遺落的空間段落，勾引起遺失記憶的想像，過去與現在，同時；公共與私密，並置。透過考古重建與假造詮釋，真真假假，虛虛實實。」

Missing section in space,

Retract images of lost memory.

Now and then,

At the same time,

Public and private,

All in one place.

Through archaeological rebuilding and false translation True or fake

Sometimes true sometimes false

With all the loud noises of the traffic

Mother’s voice calling for meal became clear

窗景 Window View

創作者｜郭英聲

Creator｜Quo Ying-Sheng

窗內，是什麼心情？開窗，又是什麼風景？攝影家郭英聲以台南孔廟紅牆上的窗，如時空挪移般，為海安路也開了一扇窗。窗景凝結而內斂，靜謐的內心世界與對台南這古城的想像，卻肆意狂放、無限延伸。窗的下方，於海安路街道美術館計畫肇始之初即栽種的小盆栽，與斑駁的牆面相依多年，在附近店家多年來自發性的照顧下，逐漸茁壯茂盛，也讓此場域與作品隨時間呈有機變化。

What is it behind the closed window and what can be seen from it? Photographer Kuo Ying-sheng transcends time and space and opens another window onto Haian Road with the photograph of the window on the red wall at Confucius Temple in Tainan. The still and quiet window view matches the image of Tainan, the ancient capital city, the inner serene while presenting the freedom of infinite extension. At the bottom of the window, there is a small potted plant cultivated at the initial stage of the establishment of the Art Museum on Haian Street and adjacent to the potted plant, a mottled wall shows the long years of wear. Cared for voluntarily by shop owners nearby, the potted plant is still healthy and growing and enables an interactive change between the scene and the artwork. 

怪花森林 The Peculiar Flower Forest

創作者｜李宜全

Creator｜Li Yi-Chuan

藝術家特別在台南的市區水泥叢林裡，嘗試創造一奇特綠色窗野，那裡會出現了一處綠意的假想森林，奇特的生物藏匿在綠葉叢裡，探頭窺望的姿態吸引過路人的側目，叢林裡竄出黃白相間的魚頭生物，遠方山丘纏繞著蛇怪等，怪花森林的世界裡還有許多生物存在你的想像之中，當您走在街區轉角處經過這兒，可要讓您的想像世界無跟延伸，花圃栽種的熱帶植物呼應著奇想花園街景意象，搭配特殊造型的植哉園藝造景，將讓原本二度空間的想像世界進入真實的生活空間之中。

The artist attempts to create a peculiar green area where strange creatures hide in the foliage of an imaginary forest, and lean their heads out to try to attract the attentions of passers-by. There are yellowish white fish-head creatures in the woods, and also monstrous serpents in the distant hills. In the world of the peculiar Flower Forest there exist many animals of your imagination.

永川大轎 Great Yungchuan Palanquin

創作者｜陳浚豪、吳仕堯、蔡潔莘

Creator｜Chen Chun-Hao, Wu Shi-Yao, Tsai Jie-Hsing

這條昔日的五條港商圈文化老街雖略顯滄桑，但充滿許多地理緣由、歷史故事與民間習俗，且相較於各地修補華麗的廟宇，這老街裡頭的金華府卻保有原有的樸實與深沈。永川大轎是永川伯的工作室，為傳統廟宇雕刻藝術的傳承而默默耕耘，因為刻的是神轎，永川伯的徒子徒孫總是專心誠意的在每一刀劃之間。作品分為上下兩層，其實就是永川大轎的工作室剖面，一樓是永川伯與即將完成的神轎，角落的細節作為背景，低下頭踩上狹窄的陡梯到二樓，徒弟們好像在挑燈夜戰，比較老的師父抽著煙工作著。

This old cultural street in Old Five Channels business district has a long but rich historical tradition and customs due to its unique geographic location. In comparison with the temples renovated and luxuriously decorated around Taiwan, Jinhua Temple on this old street preserves its original simplicity and cultural treasure.  Great Yungchuan Palanquin is the name of Uncle Chuan’s studio. He has devoted himself to handing down the heritage of temple carving art. Uncle Chuan’s disciples always carve palanquins with a willing heart. This piece of artwork consists of the top and bottom tiers showing a profile view of the studio, Great Yungchuan Palanquin. On Floor 1, there is a palanquin about to be completed. The details of the corners are used as a background. Viewers are led to the second floor with feet going up the narrow stairs where disciples of Uncle Chuan are carving under the lamp light while the master is smoking.

Infinite

創作者｜陳彥旭

Creator｜Ash Chen

連結海安路即將啟動的地下街再造與未來整體規劃，創作者試圖讓觀賞者的視線藉由本作品「穿透」地面，以明亮的天空，描繪出「地底」那個充滿希望與想像的「天空之城」。觀賞者彷彿站在雲端，親近天邊的彩虹與飛翔的和平鴿， 而一旁的水溝蓋，更反轉成為擎天大柱的頂端。作品由地面延伸至一旁原預設為地下街入口的突出物，噴泉由突出物立面開始流瀉，形成於「實體二維空間上呈現視覺3D」的效果多重顛覆空間關係。

The connection project of Haian Road imitates the rebuilding of the underground business district and future integrative planning. The artist attempts to guide the viewers to “see through” the underground through this artwork. The bright sky portrays a “sky city” full of hope and imagination in regard to the “underground.”  Viewers are inspired to approach rainbows and peace doves in the sky, and the drain cover on the side has been transformed into the top of a big column reaching to the sky. The artwork has been extended to an extrusion on the entrance to the underground business district, forming a running spring, “3D illusion effect on the two dimensional space,” diversely converting the spatial relationship.

Line house

創作者｜任大賢

Creator｜Ren Da-Hsien

如果生活中的物件只剩下線條，人們將能更加透視真實，抑或產生更多幻覺？紅磚屋和隨處可見的老樹，是藝術家的台南印象；白色鐵條構成的磚屋中，擺放著各式多彩的家具與樹木，房屋的直線，與樹木、家具自由的手繪形成對比的諏昧。工整與塗鴉混搭的線條，引發觀賞者對於自己熟悉事物的聯想；真實的記憶、情感與意念，讓這個看似虛無飄渺的雕塑，有了比實體更紮實的重量。

If life has only lines, will we be more practical or more illusive? Red brick houses and scattered old trees are the impression of artists on Tainan. Inside the brick house constructed with white iron bars, there are various types of colorful furniture and trees. The lines of the house and trees as well as the free style hand painting on the furniture show an interesting contrast. The mix of straight lines and graffiti gives the viewers an association with something they are able to identify with. The memory of truth, emotions, and will bring more value to this artwork.

艸艸 Grasses & Grasses

創作者｜都市藝術工作室

Creator｜UrbanART Studio

方正區域內的草坪，茂密而整齊地生長著，卻呈現詭譎的無色彩：20萬條捆綁電線、雜物的塑料束帶一根根被串起，由無機物搖身變為有機生命樣貌；然而束帶之間仍種植有真實的小草–日常生活中常見到、卻不起眼的小東西，在材質轉換與虛實對應間，產生了微妙的能量。兩處「艸艸」，更與各自週邊的作品（牆的記性丶Line House) 產生連結。 

Grass within the square area grows in highly dense and neat order, but it has a mysterious presentation without color: 200,000 strips of electrical wire without the plastic coverings, transform inorganic objects into organic organisms. Between the strips, real grass grows- like that we see in daily life, something small has a mysterious power due to the transformation of material in use. The two types of grasses interact with their surroundings (Blue Print and Line House）.