artworks :

漁光島國國旗 Yuguang Island Flags
Ali Chen、億載國小漁光分校學生 Ali Chen and Students of Yizai Elementary School, Yuguang Campus

由設計師Ali Chen設計之抽象幾何圖騰，呼應著漁光島的自然元素：太陽、星星、月亮、海浪等；再由億載國小漁光分校的小朋友們，運用這些圖騰，組合各種圖形，創作出屬於他們自己的理想國國旗，成排旗幟豎立在邁入漁光島的唯一通道，歡迎著旅人們進入這充滿驚喜與療癒的國度。

The abstract symbols designed by Ali Chen correspond to Yuguang Island's natural elements: the sun, the stars, the moon, and the waves. Students at the Yuguang Campus of Yizai Elementary school were invited to combine the various shapes to create a national flag for their own ideal country. The flags will decorate the sole passage that leads to Yuguang Island to welcome the travelers.

浮生 Floating Memory ǀ 禹禹工作室 Yu-Yu Art Studio

在林海中，載浮載沉、如浪潮般隨波漂浮的種子造型雕塑，也像是航路中一座座的指標，漂浮在過了橋、入島後的第一面森林裡，引導著方向，也牽繫起觀者及漁光島這塊土地的情感。

Seed-shaped sculptures, floating, moving with the ebb and flow, swaying like waves in a sea of woods. Like signs that point the way along the navigation route, they hover in the first forest on the island after crossing the bridge, guiding the travelers, and connecting Yuguang Island with the travelers on an emotional level.

脫殼激動 Thrill of Shedding ǀ 陳建智 Chien Chih Chen

人的棲居之所，是動態的處於「正回到…（宇宙母體）」與「蛻變中（成為..更高級的生命）」之間，以此呼應著宇宙源頭。人在廣義建築（滿足住居生活）及自然之間的關係，隨著「棲居」型態的進化，關係將更密切與敏感，與其合為一體將是可預知的未來型態。本作品呈現「擬生」的脫殼狀態。自體的增生與代謝，如生物般透過脫殼的行為，開展出自體與環境間的關係。

A person's dwelling is a dynamic existence between "the return (to the universe)" and "the metamorphosis (toward a higher life)", and thus corresponds to the origin of the universe. The relationship between mankind, buildings (for living) and nature has become closer and more sensitive as the type of "dwelling" evolved. Integrating each other to become one is a predictable development of future forms of dwelling. This artwork mimics the shedding of an organism. The body grows and metabolizes to establish the relationship between itself and nature, much like an insect does through shedding.

築林織間 Weaving Forest ǀ 曾靖婷 Ching Ting Tseng 

以編織手法構築場景，依照現地樹型，將編織物散落在林間，構築成大小錯落的水滴狀空間，每個空間就像是一個個獨立的小包廂，讓來到這片森林的人可以選擇自己想看的風景，窩進去，被柔軟的編織包圍，打開感官，安靜休息，體驗與森林共融的片刻，療癒疲憊的身心。

Drops of water, big and small, staggered throughout like little standalone booths. Travelers who reach this forest can choose their preferred scenic view, snuggle inside to be wrapped by soft, woven fabric, and let the weary body and mind heal. 

起伏 Ups and Downs ǀ 何采柔 Joyce Ho

起伏的創作靈感來自於休憩的動作，放大的枕頭看似平凡的室內物件，但物件本身的物理狀態停留在人們在其身上休息時擠壓枕頭而形成的形狀，讓沒有生命的物件看似一個在環境裡伸展的生物。此次設置在漁光島林海之間，希望在穿梭樹林後到沙灘時帶給觀眾休憩的聯想，同時連結出超現實的生命狀態。

The inspiration for“Ups and Downs” comes from the act of resting. At first sight, the enlarged pillow seems to be no more than an ordinary household object, but upon closer look, the physical state of the object is in a fixed shape, as if a person is still resting upon it, compressing it. This makes the inanimate object looks like a living organism, stretching in the woods. The artwork is installed in the middle of Yuguang Island's forest. The hope is to bring to mind the idea of respite as the traveler arrives at the beach after moving through the forest, all the while associating with a surrealistic living state.

夢想之框 Frame of Dreams ǀ 石昭永 au Shih

蚵棚是漁光島外海常見的構造物，用於養殖牡蠣，通常漂浮於海面上。本作品將在海中使用約1年的蚵棚打撈起來，重新進行有機組合，架構在岸邊，配合漁光島的晨㬢夕暉，當光線進入富有海洋生態紋理的竹框中，觀者進入作品時仿佛像是海中生物的視角，觀察框外的世界，展現漁光島海洋地景的另一種面貌，也激發了無限的想像力。

Oyster racks are a familiar sight on Yuguang Island, often seen floating on the surface of the ocean. This artwork takes the oyster racks out of the water to recombine them in an organic manner. As the rays of morning light or sunset filters through the ecologically rich bamboo frames, the various faces of nature and biology can be seen while also triggering unlimited imagination.

海朝你的方向吹來 The Sea Blows Your Way
南藝大建築所 B群 Group Bricoleur （鄭乘騏、曾韓生、李軍坣、范姜妤溱、李樹儀、林楓瑋、曾自由、王璽鈞）

這是一個與環境對話的現地創作，在作品中往天空的方向看，頭頂上針織網的擺動將無形的風視覺化，海浪與風的相互作用使針織網的擺動更加明顯，而平衡風動網的是在台灣南部各地蒐集而來的來自各國的海洋廢棄浮球，它們的飄動也象徵著全球海洋環境本為一體的關係。作品的另一端木平台延伸至海，在這裡，人彷彿可以走入海中央，明顯感受到海浪的波動與被海包圍的感覺。透由此作品讓觀者感受風與浪與海的關係，感受其相互作用，讓人在浪裡，也在風裡，安然而適。

In the darkness, light allowed the pool to reflect its surrounding environment, initially, they are of rigorous geometric shape and the mirrored surface conveys an orderly message. However, once the wave and ripples appear on the mirrored water surface, the lines and shapes also oscillate and distort, and the pristine environment becomes chaotic. Between order and disorder, reality and interpretation begin a dialogue.

Society functions under rules that are defined by humans, but sudden changes in the natural environment can create ripples in the original calm state and interrupt all rules in an instant. Audio and light elements in the work mark the transition from a serene to a chaotic state and then returning to tranquility again as if returning after a catastrophe. Humans often believe that they control the land, but once compared to the changes of the land it seems to be even more insignificant.

海的耳語 Whisper of the Sea ǀ 蔡筱淇 & 吉川公野 Tsai & Yoshikawa

旅英藝術家組合Tsai & Yoshikawa（蔡筱淇與吉川公野）以大海的氣息和聲音為靈感，創作出樹上的雕塑裝置《海的耳語》。作品在色彩上研究了光線折射於海面上的漸層變化，進一步探索光與水之間視覺關係。形式上則以錐螺樣貌呈現，彷彿貝殼共振一般，看到作品即可聽到療癒的潮汐聲響，與大海展開絮絮對話，進入超脫塵世的世外桃源。

nspired by the scenery and sound of the sea at Crescent Bay on Yuguang Island, UK-based artist duo Tsai & Yoshikawa creates an installation ‘Whisper of The Sea’ on the coastline. The work explores the gradual color change of light refracted on the sea surface and reinforces the corresponding relationship between light and water waves. The form of this art piece presents the appearance of a turritella seashell, which is commonly seen on the island, eliciting visual imagery of the resonating seashell sound. When the viewer observes the work, the healing tidal sound is “heard” as if it builds a conversation with the sea on Yuguang Island, stepping into a paradise beyond the Crescent Bay scenery.

漁光 Light Fishing ǀ 邱承宏 Chen Hung Chiu

作品由工業吊車及水晶燈組合而成，將它們裝置於樹林與海灘的交界處，在這個熟悉又陌生的場景中，作品像是一個都市的外來者，擾動著自然與都市之間的邊界。藝術家試圖創造一種帶有著超現實感的物件組成，將觀眾帶入某個片刻凝結的風景中，伴隨著微風與日影，及樹林中那些幽微的光亮，像是保留了一處自然與人工相互交織而成的精神場所。

This piece of artwork combines an industrial crane and a chandelier and is placed on the borderline between the forest and the beach. In this strange yet familiar scene, the artwork is like an outsider from the city, disturbing the boundary between nature and the city. The artist attempts to create a combination that elicits a surrealistic feeling and brings the audience into a picture frozen in a particular moment, accompanied by the breeze, the shadows, and the subtle glimmer in the woods. A place reserved for spirituality, created by weaving together the artificial and the natural

筌屋 Quan House ǀ 范承宗 Cheng Tsung Feng

魚筌是一個古老的容器，它在過去是捕魚的工具，後來不再被使用，成為博物館、文獻紀錄裡記載著逝去文化的符號與象徵。此作品試圖將這個容器以不同的尺度和面貌再次應用，創作者關注著手工的記憶、用身體感受特殊的空間感，以竹籐材料打造獨一無二的筌屋，讓這樣的容器有機會裝進、被放進各式各樣的可能與想像。筌屋並不用來抓魚，而是企圖捕捉人們的關注，引人如魚般游入其中，游進漁光島迷人的風景裡。

The Yu Quan is an ancient vessel. In the past, it served as a tool for catching fish. Then, as it was no longer used, it became a symbol that bears lost culture in museums and literature. In this piece, we tried to take this vessel and reproduce it with different dimensions and appearances. The artist focused on the memories of the handicraft and the unique spatial experience that is perceived with the body to create a one-of-a-kind Quan House so the vessel has a chance to hold all kinds of possibilities and imagination. The Quan House created by the artist is not used for trapping fish. Instead, it captures the attention of people, luring them in as if they are fish in the water, Swimming into the alluring landscape of Yuguang Island.

平行宇宙 Parallel Universe ǀ 徐婷 Ting Hsu

圓代表和諧、無限、永恆。雙數等大的圓，在海與陸的交融無邊中，有著清楚的輪廓，平衡對等的構圖給人舒服平靜的視覺意象。飽和的漸層色塊，對應著天與海的色彩變化，既承載此處的風景，也帶來許多想像，如從天空剝離的塊狀體，映照出顛倒世界；亦或是一對眼睛，以泥沙為軀體，凝視天空，瞳孔裡，是通往平行宇宙的通道。

A circle implies the concepts harmony, infinity, and eternity. Two circles of equal size sit in the seamless transition between the sea and the land. The distinct silhouette is outlined in black, the equal and balanced composition offering soothing and peaceful visuals. The gradient of saturated hues corresponds to the changing colors of the sea and sky. While it carries the local scenery upon it, the circles also bring imagination, as if they are pieces that peeled off from the sky to reflect an inverted world. Or they can be eyes on a body of sand, staring toward the sky. And within the pupils is a passage to a parallel universe.

將變成樹與天空 Will Become Trees and the Sky ǀ 阿部乳坊 Abe Nyubo

「在漁光島可以感受海及天空的廣大，在這裡我發現了一棵樹，它像是一個天然雨棚，我想讓旅者在樹下的木平台上休息，並使他們的注意力轉移至天空和樹梢。」這件作品從旅行者系列延伸，帶著旅行者系列的符號 : 大背包、太陽眼鏡以及睡袋，當他伸展雙手時仿佛能觸及天空，雕塑顏色會從他腳下的黃漸變到向上伸展的雙手的藍。當遊客看著它便能跟它一同呼吸漁光島的自然。 樹象徵著根連結著大地以及起始點，天空代表外在、空間以及向外連結的其他萬物。

On Yugaung Island, you can get a sense of the enormity of the sea and the sky. I found a tree here that is like a natural awning. I want to let travelers rest upon the wooden platform beneath the tree, and shift their attention to the sky and the treetop. This piece is an extension of the traveler series and has the symbols of the series: a large backpack, sunglasses, and a sleeping bag. When he stretches his hands skyward, it's as if he can touch the sky. The color of the sculpture transitions from the yellow under his feet to the blue of his outstretched hands. The tree means a connection to the roots, the foundation, home, the ground, the origin point. The sky means the outside world, space, overseas, reaching for something different.

聲音地誌 Sound Geography ǀ 劉致宏 Chih Hung Liu

本次藝術節邀請藝術家劉致宏浸潤在島上空間，將「海浪拍打消波塊」、「風吹木麻黃樹林」等聲響化為素描，筆觸延伸成主視覺的設計。在展期間也邀請他持續創作，將島內的聲音、人物故事轉化為手繪、攝影、文字，作為聲音地誌系列作品。

The festival has invited the artist Chih-Hung Liu to immerse himself in the island and transform sounds such as "waves against the wave breaker", and "wind through a forest of whistling pines" into sketches. His strokes are extended to become the design for the main visuals. Over the course of the festival, Liu will continue to create, recreating the sounds on the island the story of its people as sketches, photos, and texts as part of the Sound Geography series.

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