光

光，是力量，穿越時間與空間，描繪出我們感知的世界。2025年為月津港燈節的第15年，融入城鎮與水域空間的展場環境和超過300個藝術團隊的參與、累積，讓月津港燈節從地方性的燈節躍身為國際性的城市品牌。

年輪

年輪是時間的累積。自然界中，季節更替，太陽、月亮的陰晴圓缺，成就了「光」成長的軌跡。 一年之初，我們來到這裡， 細數層疊光影的同時，也回到最初開始的地方，繼續生長、綻放。

Light

Light is power transcending time and space and depicting the world we receive. In 2025, we celebrate the 15th anniversary of the Yuejin Lantern Festival. The town and water space are integrated into the exhibition environment with the participation and contribution over 300 art teams to elevate the Yuejin Lantern Festival from a local festival to an international city brand.

Rings 

Rings are the accumulation of time. In nature, the changing seasons, the waxing and waning of the sun and moon, create the growth trajectory of "light." At the beginning of each year, we come here preparing the Festival and are brought back to the place where everything began and pray for continuous growth and prosperity. 

exhibition info:

展覽資訊

𝟮𝟬𝟮𝟱 月津港燈節 - 光的年輪

展期｜2025/1/18 (六)~2025/2/16 (日)

指導單位｜文化部

主辦單位｜臺南市政府

全案活動統籌策劃 | 都市藝術工作室

策展規劃執行｜都市藝術工作室 UrbanART Studio

藝術總監 | 杜昭賢

專案經理 | 鄭慧盈

展務規劃 | 許蕎、許竣徨、林品毅

媒體宣傳 | 高辰寧

延伸設計 | 張筱汶

專案執行 | 許蕎、許竣徨、林品毅

影片製作 | 調視映画、存在映像

攝影團隊 | 戴倫製圖

視覺設計 | Asa Sha 沙明憲

拾光計畫 Project Shimmer 

創作者｜都市藝術工作室 

Creator｜Urban Art Studio

創作理念｜

月津港的名字源自於鹽水蜿蜒的河道形成了彎月狀，故得名「月津」。要怎麼留住夜晚、留住相映在水面上的月光呢？我們運用了小燈籠營造月光、星光點點的氛圍。

在眾多燈節中，月津港選擇用Lantern（燈籠）代表燈節，運用超過百個傳統的燈籠，漂浮在水面，在現代與傳統語彙中穿梭、點亮月津港。

Design concept｜

The name "Yuejin" origins from the winding river in Yanshui, which forms a crescent shape. How can we capture the night and the moonlight reflected on the water? Using small lanterns, we create an atmosphere of moonlight and starlight. 

Among many lantern festivals, Yuejin chose to use lanterns to showcase the festival. More than 100 traditional lanterns are floating on the water, traversing between modern and traditional languages, lighting up Yuejin Harbor. 

電訊幻獸-羽蛇神 Kukulkan(Feathered Serpent)

創作者｜廖栢賢

Creator｜Liao Pei-Sien

創作理念｜

馬雅人信奉的神「庫庫爾坎」(Kukulkan即羽蛇神)，傳說中羽蛇神是來自未知的國度，教導馬雅人科學、技藝、建築、農業，甚至是法律等知識，而羽蛇神完成使命後，便返回未知的國度去了。

作品以長形帶有翅膀的狀態模擬一個外星生物從水面起飛的動態樣貌。翅膀由小而大，身形是有弧度的向著天空而去，最頂端的四對翅膀運用機械原理結構，配合月津港的風力，希望呈現翅膀揮動拍打的動態。

 Design concept｜

The god "Kukulkan" (Feathered Serpent) worshipped by the Mayans is said to have come from an unknown land. Kukulkan taught the Mayans knowledge of science, skills, architecture, agriculture, and even law. After completing its mission, the Kukulkan returned to the unknown land.

This artwork simulates the dynamic appearance of an alien creature taking off from the water surface, with wings growing from small to large, and the body curving towards the sky. The top four pairs of wings use mechanical principles to move with the wind at Yuejin Harbor with the attempt to present the dynamic of flapping wings.k and forth within the changing lunar eclipse.

時光機裡的植物園 Botanical Garden In The Time Machine

創作者｜蕭力綺

Creator｜Hsiao Li Ci

創作理念｜

創作發想以自然界生態的輪迴為主題，人的來來去去也會影響花草的生⻑，彷彿像是花草追著人的屁股跑，人一來花草又消失一樣。依照上述，來參觀的人會被花草們悄悄跟著，在遊蕩的花草遇見了人也會快步跑走。

另一方面，入口處會有花草們躲在大樹的樹幹後面偵查敵情!準備跟裡面的植物們通風報信，有人來啦！

Design concept｜

The creation is inspired by the theme of the cycle of nature's ecology. The coming and going of people also impact the growth of plants, as if the plants are chasing after people. When people come, the plants disappear. Visitors will be quietly followed by the plants, and when the wandering plants encounter people, they will quickly run away.

On the other hand, at the entrance, plants hide behind the trunk of a big tree to scout for enemies and prepare to inform the plants inside that someone is coming!

無盡光輪 Infinity Light Circles

光核 Light Core

創作者｜有用主張

Creator｜UxU studio

創作理念｜無盡光輪

年輪是樹木生⻑時形成的環形紋路，每一個圈都代表著時間、記憶與歷程的堆疊與積累。作品《無盡光輪Infinity Light Circles》轉化年輪的意象與概念、結合幾何學運算以及錯視原理，以光的線條建構出無限的迴圈，由內而外的每一個圈層，都象徵著一個個生命的起始，循環不息充滿無盡的能量。 

每一年的月津港燈節，都是一次全新的集體經驗，年復一年地疊加，好比年輪般不停的發展與連結。而年輪又如同星系般不停地擴展，在月津港交織著藝術、環境和社會的種種互動，希冀未來從在地連結至國際，引入更多的創意注入與參與。 

創作理念｜光核

年輪是樹木隨著時間從核心向外推移積累而成，年輪的外擴代表不斷地變化與累積，而核心則象徵穩定與持續；成長不僅僅是時間的推移，每一個生命的經驗亦內心的探索與強化。一片森林始於一顆種子，一個物群亦使於一個生命的誕生。 

作品《光核 Light Core》以光建構如核心般的球體，如種子般從天而降準備落地深根，亦如奇幻電影的場景彷彿未知的生物造訪；許多事物的成果，常是起始於一個極微小的開始，進而激起無限的漣漪，如同月津港燈節一般。作品希冀傳遞一個意念：「無論外在環境如何變遷、未來有多少挑戰，都要如年輪的核心般，永保初心。」

Design concept｜Infinity Light Circles

Annual rings are the circular patterns formed during the growth of trees, and each ring represents the accumulation of time, memory, and experience. The artwork "Infinity Light Circles" transforms the imagery and concept of annual rings by combining geometric calculations and optical illusions to construct infinite light loops. Each circle layer symbolizes the beginning of life that circulates endlessly with infinite energy. 

Each year's Yuejin Harbor Lantern Festival is a new collective experiences accumulated year after year, like annual rings continuously developing and connecting. The annual rings, like galaxies, continuously expand to intertwine art, environment, and social interactions at Yuejin Harbor aiming to connect locally to internationally in the future and inspire more creativity and participation.

Design concept｜Light Core

Annual rings are formed as trees grow outward from the core along with time; the outer expansion represents continuous change and accumulation while the core symbolizes stability and continuity. Growth is not just the passage of time but also the exploration and inner strength of life. A forest begins with a seed, and a group of objects begins with the birth of life. 

ThI e artwork "Light Core" constructs a core-like sphere with light, representing a seed falling from the sky. It is ready to take root. It is also like a scene from a fantasy movie visited by an unknown creature. Many achievements often start from a tiny beginning just like the Yuejin Port Lantern Festival triggering infinite ripple,. The artwork conveys an idea: "No matter how the external environment changes or how many challenges the future holds, we shall always keep the original intention like the core of annual rings.”

凝 [ MIRAGE ]

創作者｜曾瑋、王瑞亨、徐子若

Creator｜Zhen Wei , Wang Rui-Heng , Hsu Tzu-Jo

創作理念｜

「黑夜給了我黑色的眼睛我卻用它尋找光明。」-顧城《黑眼睛》

尋常又熟悉的交通錐，是交通改道與匯流/分合人群的簡易做法，由於其高度可視及排列彈性，總能創造出新的道路界線。因氣候導致邊界內退的月津港，成為內港後不再是交通樞紐，曾經的貿易要地，因淤積而衰敝。泥沙所改寫的土地輪廓，也同樣成為了新的邊界。

於是我們用三角錐做為錨定物，標示出原本海岸線的地理位置。用平常的規格物件；交錯的高度配置，透露著某種介於真實與幻象間的流轉不定。三角錐架在輕巧穩固的鐵件上並透出光，創造出光的偏折，與倒置物件中冒出的水邊植物呼應。在清淨從容的水岸邊，利用反差物體的並列創造奇幻行走經驗。在時間間隙中，人們穿越在高度不同的單元內，彷彿異遊在歷史之間，早已無法辨識新、舊邊界的固定距離。

而暗夜時，MIRAGE 如同信號一般，提醒著不要習慣黑暗。

Design concept｜

“The night gave me black eyes and I use them looking for light.”-Gucheng, “Black Eyes”

The industrial ready-made object , traffic corn, which is most easy way for diverting , rerouting the crowds and redefining spaces because it gets highly identical characteristic in terms of color and shape. The traffic corns are always used to create new boundaries within a singular environment owe to it’s adaptability and flexibility.Accumulation of silt changed the shape of coastline, therefor, the importance of Yuejin Harbor faded away. The Yuejin Harbor will not return to it’s old glorious days even government built new infrastructure over there.

Facing this particular situation, we decided to deploy 32 units of traffic corns on three levels as a metaphor to demarcate the original coastline. With the usual specification of the object; the staggered height configuration reveals a certain kind of fluctuation between reality and illusion.Traffic cones are set on light-weight and stable iron frames and let in light, creating a deflection of light that echoes the plants emerging from the water's edge in the inverted objects. The juxtaposition of contrasting objects creates a fantastical walking experience along the shadowy waterfront. In the time lapses, one passes through units of different heights as if they were In the time lag, one travels through units of different heights, as if wandering between histories, unable to recognize the fixed distance between the old and new borders.

In the darkness of the night, MIRAGE acts as a signal to remind us not to get used to the darkness.

又一個月圓 Another Full Moon

創作者｜森岡厚次 & 京都藝術大學

Creator｜Koji Morioka & Kyoto University of the Arts

創作理念｜

關於光的作品創作，從10年前的月津港的水域開始。像是播下的種子，多年下來已經茁壯成長，順著藤蔓，幾乎可以觸碰到月亮，離夢想越來越近。來自日本的森岡厚次被季節性的蝴蝶-青斑蝶，深深吸引。飛越台灣和日本之間海域的蝴蝶，像是每一年的約定，隨著時間的變化、流動。

因為月亮而相會的蝴蝶，帶來春天的氣息。

Design concept｜

This is an artwork about light that began in the waters of Yuejin Harbor ten years ago. Like seeds sown, they have grown and thrived over the years. They are now almost touching the moon and getting closer to dreams.

Koji Morioka from Japan has been deeply attracted by the seasonal butterfly, the blue-spotted butterfly, flying across the sea between Taiwan and Japan, like an annual promise, changing and flowing with time.

The butterflies that meet during the period of full moon bring us the spring.

光聚 Light Gathering

創作者｜禹禹藝術工作室

Creator｜Yu Yu Art Studio

創作理念｜

那些光，帶著我們一起回來。

月津港孕育了文化的能量，粼粼的波光串連起生命的相遇，來自不同時間向度的藝術團隊年年在此注入了能量，持續的積累共築了我們這個世代對於鹽水這塊土地的共感記憶。

在作品《 光聚 》中運用了竹、鐵、LED燈具構築了穿透性的水面裝置，隨著不同的視角而逐漸相互交錯的線條在空間中連結在一起，生命裡緩慢運行的過程中彼此在不同的向度各自精采，也在光的牽引之下再次相約在同一片水域，交織的記憶隨著時間流動與擴張，幻化成了點點波光，在空間中展現各種樣態。

Design concept｜

The light brings us back.

Yuejin Harbor nurtures the energy of culture. Shimmering waves connect every life encounter. And art teams from different time dimensions inject energy year after year and continuously accumulate and build our generation's shared memory of Yanshui.

The artwork "Light Gathering" uses bamboo, iron, and LED lights to construct a penetrating water installation. With different perspectives changing, the gradually intersecting lines are connected in space as if we having our own wonderful lives in the slow process of life , and the light guilds us to meet here again. The intertwined memories flow and expand with time and transform into million dots of light, show various forms in space.

A8 緩緩 Slowly

創作者｜王振瑋

Creator｜Wang Jhen We

創作理念｜

曾幾何時月津港水岸因環境優化的更替後，遺忘了柳樹如詩篇般微風輕拂形塑的幽雅路徑和水波中倒映下的月光和水瀑。作品以一種仿生重塑的方式，試著提醒、回顧和重溫歷史的片段。運用光，帶著大家重返光景。

 Design concept｜

The waterfront of Yuejin Harbor, after environmental optimization, has not been known for its elegant path shaped by the breeze and the moonlight reflected in the water waves.

This artwork tries to remind, review, and relive historical fragments in a biomimetic way. Light brings us back to the scene.

光的終點：黑洞 End of light: The Black Hole

創作者｜全榮一

Creator｜ Jeon Youngill

創作理念｜

黑洞以超越想像的巨大力量，將歷史與當代匯聚成一道光芒。這道光芒與河面的倒影交融，化為一體，分流同行。這顛覆我們常識的吸積盤（accretion disk）的中心通往既充滿危險又滿懷希望的未來。

由承載東方歷史的傳統韓紙與展現當代人類科技的燈光構成的黑洞，或許能帶領我們通向那未知的領域。這個連光芒都能吞噬的黑洞，那神秘的魔力始終令人無比著迷。 

Design concept｜

The black hole, with its unimaginable power, converges history and contemporary into a beam of light. 

This light merges with the reflection on the river surface to become one and flow together. 

The center of this accretion disk defies our common sense and leads to a future full of danger and hope. The black hole, composed of traditional Korean paper carrying Eastern history and lights and showcasing contemporary human technology, may lead us to that unknown realm. This black hole is capable of swallowing even light and has always been fascinating with its mysterious power.

月亮的表情：）Moon Mood：）

創作者｜都市藝術工作室

Creator｜Urban Art Studio

創作理念｜

⽉津港腹地寬廣，水與⼟受到⽇與⽉照耀，蓄積豐沛能量，生活在這裡的動物們也接收到這股力量；狼⽝的感受⼒最為強⼤，每當⽉圓之際，受到⽉光能量所召喚出的狼⽝，久⽽久之，是否會變⾝為狼⼈呢？！⽉光的能量不容⼩覷，大⾃然反撲的⼒量也是。

Design concept｜

The hinterland of Yuejin Harbor is wide and the water and the earth are illuminated by the sun and the moon, which has accumulated abundant energy.The animals living here also receive this power. Among them, the wolves and dogs feel it the most. When the moon is full, the wolves and dogs are summoned by this glowing energy. Over time, will they turn into werewolves?! Don’t underestimate the power of nature of of the moonlight.

光-輪月  A Wheel of Light and Moon

創作者｜黑川互動媒體藝術

Creator｜Peppercorns Interactive Media Art

創作理念｜

《光-輪月》透過水幕投影、雷射與聲響裝置，呈現光與影的交替以及月的變化。作品分為三個段落：新月初現、月影流轉、圓月重生。光在夜晚的湖面上成像代表了光與暗的共存，月的光芒在黑暗中流動、變化，從倒影到重生，象徵港口的蛻變歷程。

作品運用水幕、雷射與投影技術，展現月相變化與港口歷史的交織。低頻的聲響設計不只作為聽覺元素，更轉化為實體的震動，讓觀眾能夠透過身體地感受潮汐與月相共振、新舊交替的律動。「輪」象徵著月亮的圓缺變化和時間的流轉，暗喻港口的過去、現在與未來不斷循環的演變。

Design concept｜

This artwork "A Wheel of Light and Moon" combines the alternation of light and shadow as well as the changes of the moon. The light reflecting on the lake surface at night represents the coexistence of light and darkness. The moonlight flows and changes in the darkness as to the rebirth of the past at the present time. The "wheel" symbolizes the changes in the moon's phases and the passage of time that expresses the continuous evolution of the Harbor's past, present, and future.

This artwork attempts to showcase the changes of the moon, its reflections, and the intertwining of the old and new history of the Harbor. It symbolizes both time and continuity. The moonlight represents rebirth. Through the interplay of water curtains, lasers, projections, and electronic sounds, it depicts the moon's journey from the darkness of the new moon to the brilliance of the full moon, symbolizing accumulation and rebirth.

浸漬的(   )線   Multimmersion

創作者｜張方禹

Creator｜ Aka Chang

創作理念｜

《浸漬的( )線Multimmersion》是藝術家張方禹長期持續的藝術實踐計畫，始於2017年夏天。以線性延續、多重複合的光媒材，於空間中反複劃線，再塑自然地貌。

邀請體驗者進入其中，探索人的身體感知與變動環境之間的動態關係。創作者在2025年月津港燈節的版本將光線的量體減化至由上而下墜落的狀態，藉由光與水折射、反射的物理特性，讓聚合的光束被水面介質解構成光譜，而光線映照在如鏡子般的水面，亦可創造如無限延伸至水底，有如恆常浸漬於其間的線。

Design concept｜

This artwork, "Multimmersion," is an ongoing art project of artist Aka Chang, which began in the summer of 2017. With linear continuity and multiple composite light media, Chang repeatedly drew lines in space to reshape natural landscapes.

Visitors are invited to enter and explore the dynamic relationship between human body perception and the changing environment. In the 2025 Yuejin Harbor Lantern Festival version, the artist simplifies the volume of light to a state of falling from top to bottom. By utilizing the physical properties of light refraction and reflection of water, the converging beams of light are deconstructed into a spectrum. The light reflected on the mirror-like water surface can also create the illusion of extending infinitely to the bottom, like constantly immersing lines. 

花火城邦   Flame City

創作者｜先驗物件

Creator｜PRIOR object

創作理念｜

靈感源自鹽水的蜂炮儀式，蜂炮作為祈求神明保佑的象徵，不僅僅是民間信仰的一部分，也蘊含著強烈的集體意識與能量交換。紅光四射的視覺效果彷彿是蜂炮爆發瞬間，象徵人們向天祈願的過程，帶有強烈的儀式感與力量。

三角形的結構形象，承載著對於神秘學與未知科技的形體想像。水的存在反射了光與火，透過蜂炮的形式與天地互動，讓觀者感受到如蜂炮儀式的瞬間神聖氛圍。

作品試圖將傳統儀式與科幻感融合，讓觀者在體驗蜂炮儀式的同時，感受到傳統信仰背後的神聖性與力量。

Design concept｜

This artwork is inspired by the Yanshui Beehive Fireworks Festival. The beehive firecrackers symbolize a plea for divine protection. They are a part of folk beliefs and embody a strong sense of collective consciousness and energy exchange. The visual effect of red light bursting forth resembles the moment of the beehive firecrackers' explosion demonstrates the process of people praying to the heavens with a strong sense of ritual and power.

The triangular structure carries the imagery of mystical and unknown technological forms. The presence of water reflects light and fire to interact with the heavens and earth through the form of beehive firecrackers, allowing visitors to feel the sacred atmosphere of the Beehive Firecracker Ceremony.

This artwork aims to blend traditional rituals with a sense of science fiction, allowing visitors to experience the beehive firecracker ceremony while feeling the sacredness and power behind traditional beliefs.

光軌   Light trails

創作者｜凡京設計

Creator｜Vangin Design

創作理念｜

光軌，是一種長時間曝光攝影技術下的產物，記錄光源的運動軌跡，猶如樹木的年輪，記錄下了樹木在成長中經歷的生態與環境變化，象徵著時間的流逝與變遷。

此作品旨在以光的流動捕捉月津港的人文脈絡，而作品就像一張相片，讓來訪者透過位移與作品中的光線流動產生對話。

Design concept｜

Light trails are the product of long-exposure photography that records the movement trajectory of light sources such as the annual rings of trees. Both record the ecological and environmental changes experienced during growth and symbolize the passage and change of time. 

This artwork captures the cultural context of Yuejin Harbor through the flow of light, and like a photograph, it allows visitors to have a dialogue with the flowing light through displacement.

一抹勻月光   Stroke of Moonlight 

創作者｜森屾創作

Creator｜SenseSite Studio

創作理念｜

皎潔的明月高掛空中，散發著令人著迷的光芒，當月光勾勒成一道細長且勻稱的曲線，緩緩的順著橋緣而下，輕輕碰觸著水岸並順勢而上，最後幻化成鹽水月津這奇幻水域的入口，邀請大家一同進入並感受各種光影變化所帶來的感官體驗。

Design concept｜

The bright moon hangs high in the sky and emits a fascinating light. When the moonlight outlines a slender and even curve that slowly follows the edge of the bridge, gently touchs the shore and rising, finally transforms into the entrance of the magical waters of Yuejin, Yanshui, each and every visitor is invited to enter and experience the sensory experience of light and shadow changes.

泡泡   Bubbles 

創作者｜王俊淵、楊閔棣

Creator｜ Wang Chun Yuan , Yang Min Di

創作理念｜

「炁ㄑㄧˋ」是道家所謂的生命最根本元素，它是永恆不滅的，以光的形式浮游於宇宙之間，若降臨在地球上，它將以泡泡的方式飄盪在地球的每個角落，或在雲間、或在水裡……。

每個泡泡都孕育著生命並寄託於萬物載體，當載體隕落時，炁將帶著生命記憶化作宇宙泡泡，帶入光的年輪進入下一段生命之旅。

Design concept｜

"Qi" is the fundamental element of life in Taoism. “Qi” is eternal and indestructible and floata in the universe in the form of light. If it descends to Earth, it will drift in every corner of the earth as bubbles seen in the clouds or in the water. 

Each bubble nourishes life and can be found as carriers in all sort of things. When the carrier falls, Qi will return to the cosmos of life memory to enter the next journey of life with the annual rings of light

像與影的呢喃 Whisper of Images and Shadows

創作者｜周柏慶 × 何昆瀚

Creator｜ Chou Po Ching x Ho Kun Han

創作理念｜

在這幅作品中，以光源在水波紋中的碎化與重複為靈感，捕捉幾何形狀在流動中的變化與節奏。光線透過波紋的折射與疊加，生成層層堆疊的幾何輪廓，宛如在空間中輕聲呢喃，通過重複的節奏構築出多樣的話語結構。

這些形狀模仿著波紋的不規則起伏，展現出光影交織中的動態隨機性，如同一場曖昧的對話，在無聲中述說著流動的詩意。在穩定與變化之間取得平衡，營造出靜謐而深邃的氛圍，讓觀者在微妙的光影律動中，感受浮光片刻的靜謐與深邃。 

Design concept｜

Inspired by the fragmentation and repetition of light sources in water ripples, this artwork captures the changes and rhythms of geometric shapes in motion. The light refracts and overlaps through the ripples to generate layers of stacked geometric contours, like a whisper in space that constructs diverse structures of speech with repeated rhythms.

These shapes mimic the irregular undulations of ripples to showcase the dynamic randomness in the interplay of light and shadows, an ambiguous conversation that silently narrates the poetic flow. The balance between stability and change creates a tranquil and profound atmosphere, Visitors can feel the serenity and depth of fleeting light.

風催葉 Wind-Stirred Leaves

創作者｜蔡宜婷

Creator｜ Tsai Yi Ting

創作理念｜

染上自然色彩的葉片記錄著時間的足跡，展現四季的流轉——從新芽初綻到生機繁盛，直至凋零，生命在這自然的循環中綿延不息。

自然之中，風與葉之間存在著細膩的互動，葉隨風而動，描摹著風的形態，在陽光、流水與微風的輝映下，與自然環境相依相融。隨著時間的流動，無限重複著生命的輪迴，詮釋著流動中的恆常。

Design concept｜

Leaves, tinted with the hues of nature, carry the imprints of time and embody the rhythm of the seasons—from the tender sprouting of buds to vibrant flourishing, and finally to graceful withering. Life endures within this eternal natural cycle.

In nature, a delicate interaction exists between the wind and the leaves. The leaves sway with the wind, tracing its invisible form. Bathed in sunlight, flowing water, and the gentle breeze, they merge harmoniously with their surroundings. As time flows on, the ceaseless cycle of life unveils the eternal constancy within change.

海之城 Town in the Sea

創作者｜凡京設計

Creator｜ Vangin Design

創作理念｜

滿月之後的某一天，一年一次，珊瑚會遵循自古以來神秘的約定，全都在同一夜產卵。這一夜，海底出現璀璨無比的星空，人類成為熱帶小魚，從日落、到月升，穿梭於珊瑚礁建構的城市有機體中，參與珊瑚的盛大慶典。當月亮再次升起，世界恢復平靜，月光下，生命悄悄滋長。

Design concept｜

A day after the full moon,  and only once a year, the corals all spawn on the same night,following an ancient and mysterious convention. On this night, the underwater sky is so bright that human beings become like tropical fish. From sunset to the rise of the moon, they travel among the great, city-like structures of coral reef and witness this grand celebration of life. When the moon rises again, the world is quiet, and under the moonlight, life quietly begins to take shape.

時光數樹 Digital Tree of Time

創作者｜都市藝術工作室

Creator｜ Urban Art Studio

特別感謝：黃嘉隆老師

參與者：王永欽、王語芯、江雅惠、李小夏、李孟旭、李妍羲、李詩言、林孝娟、林品毅、林彥甫、林美秀、侯翠玲、洪玉真、洪思穎、翁正耀、高品軒、康韶真、張又心、張小云、許研米、陳俊嘉、陳姵君、陳瑩如、曾碧琴、黃子芳、黃立依、黃怡祿、黃憶珊、楊秀真、溫姿媚、蔡宇恆、蔡佩軒、蔡詠晴、鄧傑澤、賴昭銘、謝曜鍾、鍾御文。

創作理念｜

隨著時間的推移，樹木見證四季更替的變遷：從春花綻放到夏日繁盛，再到秋冬的果實，周而復始。即便在寒冬，春天的萌芽也悄然重生。

這件作品是與在地居民共同創作，透過植物學家黃嘉隆老師的細心導覽，我們一起來探索鹽水月津港公園的獨特生態。從葉片到果實，從一株植物到生態，我們重新認識陪伴在河畔的植栽，感受自然的脈動。

在夜晚，光影交織，將鹽水月津港公園的神秘生態呈現於眼前，帶領我們細數每一片在月津港公園的葉片，讓片片落葉在夜裡發光。

Design concept｜

Along with the shift of time, trees witness the changes of the seasons: from the blooming of spring flowers to the flourishing of summer, to the fruiting of autumn and winter in the repeated cycle. Even in the cold winter, the buds of spring quietly grow.

This artwork is a collaboration with local residents. Through the careful guidance of botanist Huang Chia-lung, we explore the unique ecology of Yuejin Habor Park in Yanshui together. From leaves to fruits, from a single plant to the ecosystem, we rediscover the plants along the riverside and feel the pulse of nature.

At night, the interplay of light and shadow presents the mysterious ecology of Yuejin Harbor Park in Yanshui in front of us, leading us to get to know detail and shining history here. 

花映 The Reflection of the Flower

指導老師 Instructor｜陳禹廷 Chen Yu Ting

創作者Creator｜ Zhang Zhi Hua

創作理念｜

作品以花造型為出發，運用鐵條與LED燈條製造出一朵巨大線性結構的花朵意象，透過重疊與漸變來表現虛實的畫面，表現鹽水在過去繁華與現在沒落中相互交疊的狀態；藉由水倒映出完整花的樣子，就像月津港在不同時代依水而生，在各自的文化脈絡上創造全新的月津港樣貌。

Design concept｜

This artwork is made of iron bars and LED lights which are twisted and constructed into a giant flower shape, half appearing above the water. When the artwork is lit up, the lights shine and fade out in different speed, creating multilayers. In addition to it, the reflection from the water completes the structure into an entire flower light. The design and arrangement of the lights imply the rise and decline of Yuejin Port. The half rising flower above water also symbolizes that the affluence of Yuejin Port was bred by the water, hoping this cultural site can transform and rise from the water again. 

光的瞬間造就記憶的偶然  Memories of Light

創作者｜ 羅禾淋

Creator｜ Lo Hydelin

創作理念｜

《光的瞬間造就記憶的偶然》是一件探討真實時間與虛擬時間重疊的作品，透過多維度的時間體驗，模糊了虛擬與現實的界限。在這個數位時代，時間不再僅僅是一個線性、無法逆轉的概念，它也可以在虛擬空間中被改寫、被重塑。

人們可以同時處在多個時間軸上，真實的現在與數位創造的虛擬時間並行存在。虛擬的時間維度與現實的時間軸同步或錯位運行，創造出一種錯綜複雜的時間交疊。這種交疊讓觀者不僅面臨一種難以辨別的時空體驗，更使得人們對於「何為真實時間」與「何為虛擬時間」的界定產生模糊與困惑。而真實與虛擬的疊合，產生出一種記憶的偶然，正是人們如何重新透過場域，分辨真實虛擬，過去現在之間的關係。

Design concept｜

"The Moment of Light that Creates the Accidental Memory" is a work that explores the overlap of real and virtual time and blurs the boundaries between virtual and reality through multidimensional time experiences. In this digital age, time is no longer linear, and irreversible concept; it can also be rewritten and reshaped in virtual space. 

We can exist on multiple time axes simultaneously, with real present and digitally created virtual time coexisting. The virtual time dimension and the real-time axis run in and out synchrony to create a complex overlap of time. This overlap presents to viewers with an indistinguishable time-space experience and the blurring and confusing definition of "real-time" and "virtual time." The overlap of real and virtual creates an accidental memory that allows people to re-examine the relationship between real and virtual, past and present.

連續的圓-直到足以承載  A Continuous Circle for Eternity 

創作者｜ 先驗物件

Creator｜ PRIOR object 

創作理念｜

圓管椅以「時間堆疊」為核心，表達了人類生活與工業進程的交錯與累積。椅子的圓管形狀象徵著時間的循環。這些圓管橫向排列，彷彿代表著時間軸上的不同階段，每一個階段都承載著不同的記憶與痕跡，如時間的堆疊。

椅子採用未經多餘加工的金屬圓管，保留了材料的原始質感，單一材料的排列來展現出結構的多層次性，也在這樣的設計強調了椅子在空間中的穩固性與材料的純粹性。

Design concept｜

The round tube chair is centered on the concept of "time stacking," expressing the interweaving and accumulation of human life and industrial processes. The round tube shape of the chair symbolizes the cycle of time. These tubes are arranged horizontally to  represent different stages on the timeline; each stage carries different memories and traces, like the stacking of time.

The chair uses unprocessed metal tubes to retain the original texture of the material. The arrangement of a single material shows the multi-layered structure that emphasizes the stability and the purity of the material of the design.

光之樹影   Tree Shadow under Light

創作者｜ 陳泓文

Creator｜ Chen Hung Wen

創作理念｜

融合光與自然，將樹木變成一幅動態的光影畫作。在這個作品中，樹木不僅是自然的象徵，更是光線的載體，每一片樹葉和每一根枝條都被燈光染上不同的色彩，呈現出如夢似幻的視覺效果。隨著光線的變化，樹影彷彿在夜空中舞動，與風的節奏、時間的流動交織成一場視覺與感官的奇幻之旅。

在夜晚，這些樹木似乎變成了光的舞者，帶領觀眾進入一個不一樣的夢幻世界，感受光與自然交匯的奇妙瞬間。

Design concept｜

Ombining light and nature, the artist turns trees into a dynamic light and shadow painting. In this art work, trees are the symbols of nature and carriers of light. Each leaf and branch is dyed with different colors by the light to present a dreamlike visual effect. As the light changes, the tree shadows look like dancing under the night sky and through intertwine with the rhythm of the wind and the flow of time a fantastic journey of vision and senses began.

In the night, trees, the dancers of light, lead the audience into a different fantastic world where interesting interaction of light and nature can be experienced.